Builder/Architect Bay Area

Contact Us   |    Newsletter   |    Editorial Calendar

home    builder architect edition    commercial edition    advertise

Builder/Architect
  

BA Columns

Bob D. Massaro

Eve Abbott

Eve Kushner

Hal Alles

J. Hettinger Interiors

Jan A. Gruen

Jason Brandman

John Gumas

Jon R. Dougal

Ken VanBree

Marsha Cheung Golangco

Maurice Levitch

Michael J. Murray

Perry A. Tabor

Vincent E. O'Connell

Zoe Robinette

BA Cover Stories

BA Special Features

Doors: They Are What They Are

By Maurice Levitch, AIA

The first time I remember thinking of doors as something other than what you walk through is when I received a poster depicting "The Doors of Boston." With so many variations, colors, materials and elements, together the individual doors give a sense of place; these doors incorporate an entire architectural style in a single building element. Since then I have seen many other similar posters describing places by their doors. Doors are an important part of the first impression we receive of a building.

Although the main function of a door may be to allow people or vehicles in and out of a defined space, doors throughout history have been much more than that. Some buildings, such as the Baptistery in Florence, Italy, with its bronze doors by architect/sculptor Lorenzo Ghiberti are known almost solely for their doors. These doors, the result of a competition among sculptors, were executed between 1403 and 1424 at the beginning of the Renaissance when art was becoming as important as structure. Can you imagine your client waiting more than 20 years to get their front door?

As with other building elements, there are certain physical requirements to consider in door design, including structure and operation, and a whole lot more in the way of architectural expression, such as shape, size, materials and color. In many cases, the detail around the door receives even more attention then the door itself.

Religious and public buildings, in particular, seem to have doors on steroids - doors larger than life. I have stepped through many doors within doors into churches where the main door is several stories high. I'm not sure if the man-size door was always there or if it was cut in at a later date after the hinges failed. The entry door at the city of Emeryville City Hall, in stainless steel and glass, is so heavy that I can hardly open it. These are doors that I remember. Harking back to earlier times, many doors have once again become more than what we use them for.

Today we have advanced door design with technology and new materials so we can have entire opening walls of doors that allow the integration of indoors and outdoors. We have fiberglass doors (with wood grain pressed into them that take wood stain) that stand up to harsh environments without warping. We have solid steel doors with multipoint latching systems for security. (The salesperson at the open house for a new urban condominium project commented, "Why put glass in the door, we want you to feel safe!")

In most of our projects today we find a door in a catalogue, have it prehung, then install it in the opening and put trim around it. Is this because of the high cost of materials and labor, or because maybe first impressions are not always the most important part of a building? Sure we want our buildings to present themselves nicely, but let's invest more in the building systems that work together to present a successful whole. This way, your client and others will remember more than just the door. And ... don't let it hit you on the way out.

October 2006 Builder Architect Edition Issue

|

Post a comment

(If you haven't left a comment here before, you may need to be approved by the site owner before your comment will appear. Until then, it won't appear on the entry. Thanks for waiting.)